
Is placemaking good for you?
The concept of creative placemaking dates back to the 1960s, but it is arguably important now more than ever.
We Group’s Business Development Manager Ron Salmon explores why.
The concept of creative placemaking dates back to the 1960s, but it is arguably important now more than ever.
We Group’s Business Development Manager Ron Salmon explores why.
Irregular’s As Water Falls, the interactive digital installation We Are Placemaking commissioned as part of
We are very excited to announce that the Corgi trail which we produced in association
In the press: We Are Placemaking are back in the press with our latest activation,
In the press: Coal Drops Yard is back in Time Out with our work on
In the press: Our work with Kings Cross Estates and Coal Drops Yard is yet
In the press: St James Quarter was back in the local news as we turned
In the press: The launch event of St James Quarter, a brand new exciting shopping
We Are Placemaking’s latest activation was covered in local media this week. A simple but highly
Our Account Director Louisa Bass wrote a new feature for Open Air Business magazine’s May April Issue. Louisa discusses
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Nick Morgan is CEO of We Group which is made up of three agencies: The Fair, We Are Placemaking and We Are OPS. Nick has over 25 years of experience working across event production, licensing and health & safety for large-scale events and festivals and within the public realm.
Nick is Vice-Chair of AIF (Association of Independent Festivals), and sits on the Advisory Board of NTIA (Night Time Industries Association) NOWIE (Network Of Women In Events). He is also a member of the SAGE (Safety Advisors Group for Events) committee and the ESA (Event Safety Alliance) – working with organisations to continuously lobby government and encourage more support across the sector.
Nick often speaks on topics that include managing growth, independent festivals, the experience economy, government advocacy, licensing and health & safety, at industry events including the Event Production Show, LAEOG, The All Parliamentary Group for Events, the Institute of Licensing, the Night Time Economy Summit and FestForums in the US. The independent festival sector is close to Nick’s heart, and The Fair – as one of the largest independent festival production houses in the UK – works across 128 shows, from Boiler Room to Eastern Electrics.